{"id":999,"date":"2018-01-29T23:54:20","date_gmt":"2018-01-29T23:54:20","guid":{"rendered":"http:\/\/www.nancysutor.com\/main\/?page_id=999"},"modified":"2018-01-30T00:02:15","modified_gmt":"2018-01-30T00:02:15","slug":"reviews","status":"publish","type":"page","link":"http:\/\/www.nancysutor.com\/main\/cv\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"<p><strong><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-522\" src=\"http:\/\/www.nancysutor.com\/main\/wp-content\/uploads\/2018\/01\/sutor_3534-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/www.nancysutor.com\/main\/wp-content\/uploads\/2018\/01\/sutor_3534-300x200.jpg 300w, http:\/\/www.nancysutor.com\/main\/wp-content\/uploads\/2018\/01\/sutor_3534-272x182.jpg 272w, http:\/\/www.nancysutor.com\/main\/wp-content\/uploads\/2018\/01\/sutor_3534.jpg 675w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/strong><\/p>\n<p>| <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/\">Selected Exhibitions<\/a> | <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/publications\/\">Publications<\/a> | <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/reviews\/\">Reviews &amp; Articles<\/a> | <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/teaching\/\">Teaching<\/a> |<br \/>\n| <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/related-professional-experience\/\">Related Professional Experience<\/a> | <a href=\"http:\/\/www.nancysutor.com\/main\/grants-and-awards\/\">Grants &amp; Awards<\/a> | <a href=\"http:\/\/www.nancysutor.com\/main\/cv\/collections\/\">Collections<\/a> |<\/p>\n<p><b>REVIEWS AND ARTICLES<\/b><br \/>\n<i>The Santa Fe Reporter<\/i>, History in the Making, Immigration Exhibition Cuts Through the Rhetoric, Zane Fischer,2009<\/p>\n<p><i>The Santa Fe New Mexican<\/i>, The History of the Future, Doug Fairfield, 2009<\/p>\n<p><i>The Albuquerque,Journal North<\/i>,\u201dA Veil that Obscures\u201d. Hollis Walker, 2007<\/p>\n<p><i>The Santa Fe New Mexican,Pasatiempo,<\/i> Around the Town\u00a0 and Upside Down, Elizabeth Cook Romero 2007<\/p>\n<p><i>The Albuquerque Journal North<\/i>, \u201cCapturing Images\u201d Tom Collins 2005<\/p>\n<p><i>The Magazine<\/i>, \u201cNancy Sutor , Absence \/Presence\u201d, Rinchen Lhamo,2005<\/p>\n<p>The Santa Fe New Mexican , Pasatiempo, \u201cGallerywise, being scene\u201d Elizabeth Cook Romero,2005<\/p>\n<p><i>THE Magazine<\/i>, &#8220;Teenagers Kick Our Butt,&#8221; Bobbe Besold\u00a0 2000<\/p>\n<p><i>The Santa Fe New Mexican, Pasatiempo<\/i>, Art Matters \u2013 Visual Arts, Ellen Berkovitch\u00a0 2000<\/p>\n<p><i>The Santa Fe New Mexican, Pasatiempo,<\/i> various reviews \u00a0 1989-2000<\/p>\n<p><i>The Albuquerque Journal North<\/i>, &#8220;About Art,&#8221; Malin Wilson-Powell\u00a0 1999<\/p>\n<p><i>Santa Fean<\/i>, \u201cLegorreta\u2019s Crown Jewel,\u201d by Kathleen McCloud, quote, Santa Fe, October 1999<\/p>\n<p><i>The Santa Fe Reporter<\/i>, various reviews\u00a0 1991-1999<\/p>\n<p><i>The Albuquerque Journal North<\/i>, &#8220;Symbols to Art,&#8221; Ellen Berkovitch\u00a0 1997<\/p>\n<p><i>The Santa Fe New Mexican, Pasatiempo, <\/i>&#8220;A Lesson in Shadows,&#8221; Kathleen McCloud \u00a0 1997<\/p>\n<p><i>THE Magazine, <\/i>various reviews\u00a0 1994-2005<\/p>\n<p><i>Artspace<\/i>, various reviews\u00a0 1984-1986<\/p>\n<p><i>The Chicago Tribune, <\/i>review\u00a0 1980<\/p>\n","protected":false},"excerpt":{"rendered":"<p>| Selected Exhibitions | Publications | Reviews &amp; Articles | Teaching | | Related Professional Experience | Grants &amp; Awards | Collections | REVIEWS AND ARTICLES The Santa Fe Reporter, History in the Making, Immigration Exhibition Cuts Through the Rhetoric, Zane Fischer,2009 The Santa Fe New Mexican, The History of the Future, Doug Fairfield, 2009 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.nancysutor.com\/main\/cv\/reviews\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Reviews&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":451,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-999","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/pages\/999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/comments?post=999"}],"version-history":[{"count":2,"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/pages\/999\/revisions"}],"predecessor-version":[{"id":1017,"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/pages\/999\/revisions\/1017"}],"up":[{"embeddable":true,"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/pages\/451"}],"wp:attachment":[{"href":"http:\/\/www.nancysutor.com\/main\/wp-json\/wp\/v2\/media?parent=999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}